The Mainstreaming of Nerd Culture

"You know, nerd culture is totally mainstream now, so when you use the term 'nerd' derogatorily, 

you're the one out of the Zeitgeist" ( Ben Wyatt - Parks and Recreation).   

For those of you who don't know what "Zeitgest" means,it means "the spirit of the times."  I've noticed a trend over the years.  I see people walking around with huge glasses.  I also see some of them walking around in pants, suspenders, and ties with full on pens in the pocket.  More often than not, I even see the casual pedestrian wearing a t-shirt with some kind of popculture reference.  There are a ton of movies and television series that have come out over the last 20 years that have consisted of nothing but references to the retro and obscure.  Ever seen The Big Bang Theory?  

Hey, I didn't say that retro automatically meant good.

It's suddenly okay to be nerdy.  In fact, I might even say it's becoming popular; however,  I mean that in the loosest way possible.  The glasses have no lenses.  The ties are clip on and the pens are purely aesthetic.  That casual pedestrian has probably never seen the tv show that his or her shirt depicts in his or her entire life.  It is a sham.  

Come on man.  You can't just put on glasses and pens in your pocket and call yourself a nerd.  There are procedures to gaining this honor (and curse, if you were ever a genuine nerd in those unforgiving elementary/middle school years).  First off, looks don't matter.  

First off, are you smart?  If you are then you might just be smart.  Many of the people that I described before are not intelligent.  They couldn't find the odd answers in the back of a textbook much less find their way out of a paper bag.  

Then there is social ineptitude.  Well if you are wearing nerd gear in order to fit in, then that is a big minus.  I wear my Godzilla t-shirt because I've actually watched the movies.  Pens are placed in the pocket for sheer convenience.  Need to sign something?  Bam, it's right there.  

Last but not least, there is obsession.  Every nerd has got his or her "tick."  Mine happens to be pop culture (television, film, and cartoons), classics (television, film, and cartoons), and books (I have a fortress of Tolkien, Alighieri, Doyle, and other classics surrounding my computer.  They occupy a book case hanging over my computer.  God I hope it doesn't break.)  

Dramatization.  I don't have a lamp.  

Finally, there is my pride and joy, the Transformers franchise.  God I just love it.  I actually used to collect the toys until they were thrown out.  I now have only one left.  Since I could go on for years spouting my love for everything cybertronian and how devoutly I love it, I'll just say that I know the mythology and language of a fictional race of robots.  There you go.  I'll even type out a final message for you to translate.  

Hail Lord Primus.  

Annoying Ads

We've all come across it before.  You're surfing the web, checking your email, clicking through the news, and perusing videos when all of a sudden this shit pops up.  


The Web Browser Hijacker

Look at it.  Just mouse over one tiny inconspicuous ad and this Home Depot commercial advertising a backyard grill pops up with accentuating soft muzak.  Why in God's name would I be interested in this?  I don't even have a yard.  

Sometimes, you don't even have to mouse over the goddamn thing.  It just pops up all by itself.  The first time it happened, I wasn't even sure why my mouse wasn't working.  I clicked all over the website but to no avail.  I thought I needed to replace the batteries in my mouse or something but nope.  The ad takes priority by hijacking your browser.  What a fucking attention hog. When I tried to close it, I ended up accidentally clicking the ad.  Could you blame me?  That freaking close button is as small as an ant's cigarette lighter.  

Other ads just shift everything downward.  I see a news story I'm interested in so what do I do?  I click on it.  

Just before that happens, an ad enlarges and I end up clicking on that and I end up having to wait for the damn thing to load.  

The Cock-blocker

Bullshit.  


If you don't understand how annoying this is, then here's a hypothetical scenario for you.  Imagine a vending machine.  

You go to the vending machine with the intent on purchasing Doritos (just throwing a familiar and decent brand of snack food out there).  You press D5 but before you know it, the entire row of snacks shifts down so you get what was on the upper row (C5) instead.  You reach into the machine to grab your snack and you get this.  

Bullshit.  I hate Fritos.  


Here's another example of this type of ad.  

What kind of question is this?  Is Buffalo Wild Wings an enjoyable place for dining and football?  How would I know that?  I've never been there before.  

I also notice that the companies that make these ads have conveniently (by "conveniently" I mean for the companies themselves) made the close button as small as possible.  They even go so far as to design the add in such an asinine way that it drives all attention away from the inconspicuous little x sign.  

The Chameleon

Look at this nonsense.  Where is it?  I can't close it.  Oh no.  Please, don't make me listen to how Degree Motion Sense Women's Scented Deodorant has extra strength anti-perspiration technology that works as you exercise.  Curse it all. I don't want to be institutionalized.  A whole minute must have went by before I finally found the damn x sign.  

Unbelievable.  They purposely gave their ad a needlessly "trendy", "effeminate", and "modern" design (notice the exaggerated curve in the upper right corner) in order to drive all the attention away from the x.  I know I didn't see it until after the commercial finished.  I'm pretty sure that you wouldn't have seen it either.  It's fucking camouflaged. 

Speaking of tricky design, I noticed that some ads have decided to move the close button altogether.  

The Switcharoo - Exhibit A

The Switcharoo - Exhibit B

Ok, now that crosses the line.  

Close buttons are on the right side of the screen (except for Macs because they're "sooo rebellious").  This is normal.  Ads also have close buttons on the right side of the screen.  That is also normal; thus, when some advertising designer decides to have a little fun by switching around the location of the close button, it fucking pisses me off! There is no reason to do that other than to confuse the person in general and allow extra time for the ad to be watched.  It's shady, it's contemptible, and it should be illegal. 

Edit:  On a side note, I just remembered the infamous Netflix ads from Fandango.  You would go to check a movie time and as soon you closed the window, this abomination would be the first thing that you would see on your monitor.  


 
The Flasher

Your first thought probably would have been "How did that get there?"  When I first went on Fandango, I actually thought I got a virus.  Every time I went on Fandango and closed the window, that ad would pop up like Ol' Faithful.  I double checked the website and guess who decided to show up?  

Another thing I decided to check out were those online tv channel sites (I don't have time to watch it on tv).  I came across this.  


The Dilemma

Nice.  Very nice.  Watch a long trailer now or watch a series of trailers interrupting your show.  Extended agony now or several episodes of it in smaller increments?  A bullet to the head or several stabs to the gut?  A single showing of M. Night Shyamalan's The Last Airbender or several episodes of The Jersey Shore.  It's like "pick your poison."  

Transformers 3: Dark of the Moon - Review

(Skip to bottom paragraph for short review)

Today was the opening day of Transformers 3.  At least that's what it said on some of the posters.  Not the posters that said July 1st but the ones hanging on all the theater walls.  Clad in my "Robots in Disguise" t-shirt and terribly excited (though with some reticence - it was a Michael Bay flick after all), I made my way towards Ward Center.  Along the way I spied some fellow fans dressed in their own Cybertronian attire.  I tried to do the universal greeting but I stopped halfway which probably saved myself from a couple minutes of embarrassment. 

I walked into the Titan XC theater with 3D glasses clutched in my clammy trembling hand, past the minimum wage usher/janitorial staff, and I sat down in my chosen seat, K12.  Of course, there just had to be a kiddie next to me yelling "who dat decepticon" throughout the whole movie, while some biatch just went to town on her phones keypad; which by the way burned with the intensity of a million supernovae in the dimmed theater.  

Now on the film itself.  I mean movie.  My mistake.  To clarify, there's a big difference between a film and a movie. Movies pander to the largest common denominator, filled with special effects, "epic" moments, scantily clad women, and mindless action.  They are also known as blockbusters.  Films contain legitimate themes, character development, and at least some semblance of a coherent plot. (To be fair, there can indeed be a mix of the two; which in my opinion is the best of both worlds.  Just look at Christopher Nolan).  

Transformers succeeds at being a blockbuster.  It smashes it out the door.  The 3D and special effects are mindblowingly awesome.  What can I say?  The first couple minutes showing the Autobot ship (The Ark) doing aerial loops in space evading Decepticon battle cruisers on a war torn Cybertronian battle field had me on the edge of my seat.  This is where it started going downhill.  The two identities of TF3 kept trying to duke it out to see who would win.  Naturally, it's a blockbuster as that is Bay's repertoire. Cars, boobs, explosions, etc... But there was another side that just kept getting in the way like an evil mentally ill twin brother.  The movie tried a little too hard to be a film.  There was an unnecessary love story between the protagonist, Sam "Nononononono" Witwicky and his girlfriend which was pretty much the same old thing since the other two movies.  

This is what erks me.  The franchise is called Transformers.  Not "A Boy named Sam and his Impossibly Hot Girlfriend - and some robots".  This is where Transformers: Bay's Take failed.  None of the movies in the series had any character development.  Sure there was Sam but do I care about Sam?  No.  I care about the robots.  But given the amount of detail and backstory from the movie (which was next to nothing) there was no way that the average audience member could  have possibly had the same reaction that other movie goers had when they watched Optimus Prime's death in the 1986 cult classic, Transformers the Movie.  The movie 25 years later kept shifting from the Transformers perspective (which was the one I was mainly focused on) to Sam's, and like that same evil twin brother, the channel was suddenly switched and along with it came the troubles of a post-teenage boy; aka somebody I don't give a damn about in this type of film.  A fourth of the movie involved him trying to get a job.  Nice.  I kind of liken it to two horses pulling in the opposite direction.  If they'd only just go one way, they'd actually get somewhere.  

This is pretty much exactly why the Bayformers failed.  Unlike the old movie, these movies were mostly comprised of just a super long Even Stevens episode (though granted Shia scores big every single time for some inexplicable reason) with the Transformers as a supporting cast.  Plenty of the robots in the movie don't even speak all that much.  Just a couple lines here and there.  They might as well not even exist.  Some of them don't even play as an homage correctly.  The red Ferrari was actually supposed to be named Mirage - a character from the old tv show.  Same thing with the blue Mercedes, Wheeljack.  Instead, they're called Dino (yes, pronounced the same as the lovable Flinstones dog Apatosaurus' name - The middle name of Mr. Ferrari himself) and Que (a reference to James Bond's weapons expert and supplier) respectively.  I don't know why they couldn't just stick with the regular names.  Nobody is going to get the references in the middle of this mindless movie.  I did but only because I've been following this for almost two years. 

(God, it looks so stupid; why would they do this?!  Next they'll be giving them clothes to wear; pants, suspenders, and canes.  Oh wait... )

 Fortunately, the third is definitely the best out of the trio for the sheer fact that it actually takes the best out of the first two while taking out some of the shit that made the first two shitty.  Not all of it, but some of it.  Still progress like shit to diamond covered shit.  The final hour of the movie was simply put, the finest piece of sci-fi disaster porn that I had ever seen.  Throw all of this together; mechas, doomsday, destruction, guns, chaos, robots, and Mission Impossible and you have what is probably the finest brain numbing non stop non linear action sequence in existence.  There are also pot holes galore that go with it but whatever.  The collapsing building portion and the stuntman wingsuit portion was simply breathtaking.  

My take on the series was that it should have gone like this.  TF1 would have been a prequel of sorts still showing the bots on their home planet Cybertron.  Sort of like a back story.  (Look at War for Cybertron - High Moon Studios really pulled that one off)  It would have been great to show the initial period of prosperity between two equal brothers (Optimus and Megatron), both leaders in their own respective fields as researcher and general.  It would have also been great to show how the rift between the two began when Optimus; a lowly data archivist was revealed to be a descendant of the Primes.   That would have been a fantastic opportunity to show the differences between the two brother's actions; Megatrons jealousy which eventually manifests itself in his role as the instigator of the planet wide civil war, and Optimus' relunctant role as the new leader of the Autobots seeing as how there is no one left to take up the mantle.  That is character development.  That is a plot.  TF2 would have shown them on Earth and well the rest writes itself.  Unfortunately for me, this is not reality.  At the end of the day, the profits matter and at the end of 2007, 2009, and assuredly 2011;  the box office ticket listings will show that Bayformers will always be a major money maker.  It's a damned shame.  

(This is what the movies should have been.)

In short, Transformers 3 fails as a film but succeeds beyond any male's wildest wet dream as an action sci-fi blockbuster movie.  There are girls, guns, robots, patriotism, explosions, mayhem, destruction, and testosterone in a solidified state.  If you're looking for just a bunch of spectacular scenes (Avatar on metal), some risque comedy, and violence in any way, then this is the movie for you.  Just make sure to check your brain out at the door.  Oh yeah, you should probably see it in 3D.  It frickin' works for this movie.  

Sound Effects and Detail - 5/5 Energon Cubes

Plot - 3/5 Energon Cubes

Characters - 2/5 Energon Cubes (+1 because Optimus Prime is in it)

Cinematography and Choreography (3D) - 4/5 Energon Cubes (Wingmen stunt actors deserve some kind of award. Seriously). 

Music - 3/5 Energon Cubes (The grand composer from the first two films is back along with the annoying Linkin' Park.  Sorry, but I just don't like that band). 

Ken Jeong - Bonus Point

Overal Score: 7.2/10 (From a partially annoyed adherents personal point of view.  If I wasn't such a die hard fan of Transformers, the score would be a full point lower.) 

The Day Before "Doomsday"

Well tomorrow's supposedly the day of Rapture.   At least according to a select group of die hard Evangelical Christians and Harold Camping: the doomsday predictor who's already been proven wrong before (when he predicted the world would end in 1994 and well... we're all still here).  Frankly, people have been wrong about the date since Jesus' time. 
http://religion.blogs.cnn.com/2011/03/06/competition-for-when-the-world-will-end/

The sane and rational already know that tomorrow is not the end of the world.  Even the Bible itself says that no man knows the exact date of our doom so I highly doubt the opinions of a crusty old turkey suffering from Alzheimer's.  Just look at him.  


However, that's not the point.  Everyone already knows he's an idiot.  The point is that the people who have bought into this scam; individuals, friends, families and their children, are going to be in for a nasty surprise come tomorrow.  By now, they've spent, given away, or donated everything they've owned to spread "the message".  They've sold their car, belongings, homes, and futures in exchange for a trailer and bunch of cardboard signs.  How are these people going to survive in this economy after willfully bankrupting themselves like that?  How do you bounce back from literally "new gaming"?  


I don't really sympathize with the easily impressionable and stupid but I just feel sorry for the fact that they threw away their lives.  It even looks like this Camping guy actually made money off of this doomsday venue. 
http://money.cnn.com/2011/05/19/news/economy/may-21-end-of-the-world-finances-harold-camping/index.htm

What pains me the most is that the children are the hardest hit victims.  They listen to their mom and dad almost unquestionably (I know I did).  So what happens when your mom and dad says they're selling the house, all your stuff, and going around the country to preach about the end of the world?  You have no choice. How are these parents going to explain to their kids on May 22 that they were wrong?  By saying "Oh sorry honey, we made a mistake and we don't have anything except our little caravan and a now worthless prediction.  Our bad"?   


You know, nice job Mr. Camping.  You've managed to somehow cram a little extra slime into your already wasted life.  You're literally on the precipice of your natural life and yet, you're not satisfied.    Don't people like you just retire and vacation or something?  Go para sailing or sky diving.  But no.  "Hey, I think I'll go ahead and make myself look like the biggest douche in the world.  I absolutely need to put more black marks on my soul by misleading all these families." You, along with all your followers are going to be the laughing stocks of the world in a mere 24 hours.  Good job.  


And I already know what's going to happen once the 22nd hits.  Mr. Camping will probably go on and on about "Oh, I might have made a small miscalculation in my bogus Biblenometry, sorry about that".  Well, that's all good and all but not so for the families still holding the signs.  Now they got to trade those in for 12/20/2012 signs.  I pray they live long enough to even see that day (not that I believe in that either).  

The Restaurant at the End of the Universe

Douglas Adams’ “The Restaurant at the End of the Universe” is a rare species in my book collection.  It’s one of the only books to have ever made me laugh.  Normally that’s a cartoons job.  I don’t mean “chuckle” or “wheeze” in a discreet way:  I mean guffaw.  I loved reading this book.  I like parodies, cynicism, sarcasm, and works that compile these things together like The Onion which means that a book overflowing with this sort of stuff really makes my day whenever I get the urge to read something. 

To sum things up, this book was actually a sequel to another cleverly written book by Adams, “The Hitchhiker’s Guide to the Galaxy”; the aforementioned object is a guide that pops up occasionally in separate chapters as helpful “advice” (purely non-informational tidbits to the protagonists that serve only to amuse the reader).  After the events of the first book; where the main protagonist Arthur Dent – unassumingly average human male, has his home planet destroyed by an alien race called Vogons so that they can build an intergalactic highway.  He goes on an adventure with his friend Ford Prefect – an alien from a planet near Betelgeuse who pretended to be human and owner of a Hitchhiker’s Guide to the Galaxy (which effectively contains a crude Wikipedia article on practically everything in the Universe from the common to the obscure), Zaphod Beeblebrox – a hedonistic and narcissistic two headed three armed Betelgeusian alien/Galactic President, Trillian –Zaphod’s girlfriend and mathematician, and Marvin – a generally insufferable robot who’s uncharismatic, constantly depressed, and paranoid, due to him having a “prototype human personality.  In their journey through space, they discovered that the answer to the Universe’s greatest question was 42 and that Arthur’s home planet, Earth was actually commissioned and bought by mice so that they could figure out what exactly was the big question that accompanied the answer 42 (being that Earth was actually a mechanism thought up by the mice’s great computer Deep Thought, that would have gradually revealed the great question amongst it’s native inhabitants within give or take 8 million years).

Immediately after the events of the first book, our intrepid question seeking heroes are under heavy fire by a Vogon ship.  When all seems lost, Zaphod conjures his ancestor, Zaphod the 4^th (It’s backwards thanks to a mishap with a time traveling descendant) who transports them away right after heavy lecturing of his great great great grandson.  Zaphod and Marvin are apparently the only survivors of their instant transport as the others (and their ship) are nowhere to be seen.  The former then decides to seek out the person with actual “power” - Zarniwoop, since his position as Galactic President (ex) was merely just a figurehead.  To find him he goes through a torture device called the Total Perspective Vortex (which liquefies it’s victims brain by revealing to it the Universe in it’s entirety) and he emerges unscathed and with the belief that he did so because he is the most important thing in the Universe (the explanation for how he survived was that he was actually in a fake Universe built specifically for him).  He finds Zarniwoop and he finds out that his ship was actually shrunk to the size of a pea and hidden in his shirt pocket along with everybody else.  They are transported to the nearest restaurant Milliways; The Restaurant at the End of the Universe (in terms of space.  It’s actually 576,000,000,000 years into the future in the same exact location).  After a hilarious encounter with a talking cow and rock star feigning death (for tax purposes), the dynamic team is separated by their teleporter once again with Zarniwoop, Zaphod and Trillian off to find the person who’s “really really really” in charge and Arthur and Ford on prehistoric Earth (which was conveniently rebuilt).  Zarniwoop finds the Ruler of the Universe who is in fact an old hermit who lives alone with his cat.  He doesn’t believe in anything, even his own cat and refuses (or perhaps unable) to see the weight and value of his position.  Arthur and Ford on the other hand discover that the human race was actually descended from bumbling tourists from another planet which meant that Arthur did not have the “great question” locked in his subconscious (as evident by him randomly pulling out scrabble letters to spell “What do you get when you multiply six by nine”). 

Obviously, the premise of Adam’s novel is just insane after discounting all notions that this is sci-fi comedy book.  Thus the only really believable character is Arthur since he’s gotten over that “Ohmigoshmyplanetsbeendestroyed” phase in the first book already and he acts pretty much like any Average Joe would in the face of situations like he’s presented with in the second book (at least in my opinion).  He doesn’t have a second head or a third arm, he’s not manic, and though he does tend to freak out sometimes when in danger of death (like anyone else would), he is a man of simple tastes.  In fact, at the beginning of the book, the only reason why their ship is unable to defend against the Vogons is because the ship was expending all it’s resources on trying to make a regular cup of tea for Arthur; which he previously asked for since he missed his home.  He’s the most normal out of the group with Trillian coming at a close second.  A trend I noticed in the book was that there’s always something up with a new character; not necessarily a flaw but a quirk of some kind.  There’s Ford and his ridiculous guide, Zaphod and everything about him, the Ruler of the Universe and his apathy/unawareness of everything, Marvin and his extreme depression, and other side characters like Hotblack Desiato who refuses to speak not because he’s mute but because he’s actually dead to avoid paying taxes. 

By making these outrageously eccentric characters, it’s really easy for the author to catch my attention.  Unoriginal, cliché, and uninspired characters tend to bore me so these types of people really add a breath of fresh air; especially when a new character shows up every other chapter or so.  There’s also the way that Adam’s writes, which is satirical to the point that it makes fun of almost everything in the book; implying something is ridiculous even though the characters in the book regard it as truth and are not aware of how stupid something actually is.  For example, the namesake of the book is just absurd.  A restaurant that capitalizes on the end of the Universe?  They even mention the other restaurant which markets the other end of the Universe; the big bang.    The most interesting tidbits of the book come in the form of small stand alone chapters which provide extra detail on a current situation or some kind of background information.  They normally begin with “According to the Hitchhikers Guide to the Galaxy…” and serve as actual pages from the guide.  Even though they’re fairly useless and provide nothing of informational value to the characters (as if a third grader went to town on a Wikipedia page on microeconomics) I like the way that it ends up insulting some poor alien race or element on it’s stupidity, looks, or for being a misfit.  

There were some scenes which stood out to me, and they weren’t even all that important to the plot.  They did make me laugh though and I promise you that if you read this, you’d laugh too.  One of the funniest scenes was when the group arrives at the restaurant Milliways and order the Dish of the Day.  It turns out that this dish is a talking cow bred to invite people to eat it so they get into a rather uncomfortable conversation with it (at least for Arthur).  He actually considers going vegan and orders a green salad instead of succumbing to the cow’s promises of a sumptuous flank steak by “exercising it and eating plenty of grain”.  The cow even admonishes his order by saying that he’s spoken to the vegetables and claims that they don’t want to be part of a salad much less eaten all together.   When the cow receives all their orders, it actually says “I’ll just nip off and shoot myself” and makes a point to add in “I’ll be very humane.” just for Arthur.

Another particular scene that had me laughing was when Zarniwoop and Zaphod come upon a run down shack to find the ruler of the Universe who just turns out to be an old curmudgeon who lives alone with his cat.  He’s so unaware of everything that he doesn’t believe anything exists outside of his personal bubble (1 foot around him) including his own pet cat which he dubiously calls “The Lord” much to the confusion of the duo when they ask if he believes in a god.  The sheer unlikelihood that “the grandmaster”, the “big cheese”, the “overlord”, being an old man combined with the fact that he does not acknowledge the notion that his actions affect the entire Universe – the great big giant thing so big that being compared next to it can kill you; just struck an odd note with me. 

The final scene that I found witty in probably the simplest way possible was a scene where Arthur tries to rationalize eating potentially poisoned fruit to Dent by comparing it to the Adam and Eve story.  Of course, since Dent is a foreign visitor, he summarizes the entire story in an overly simplistic and possibly offensive way (at least to Christians).  He does this by implying God is an idiot for putting an apple in the middle of a garden with two people saying “Do what you want but don’t eat this apple”.  The way he describes God catching them (God leaps from behind a shrub and says “Gotcha”) was unexpected but is what cemented this image firmly in my brain. 

(Which is what God probably said after catching Eve eating the damn apple.)

I wouldn’t change anything about this book but if I really wanted to, I would add in more chapters with the Hitchhikers guide speaking.  Those are always a treat.  I did notice that the chapters were used to provide background information on completely imaginary objects (to the real world) I remember that in the first book, it had a little more entries on real day to day items like towels for example.  I think a satirical spin on cats or limousines would have been really “informative”.  After all, if the first book had the guide explaining how a towel could be used as a wipe, towel, shelter, scratching post, and offensive weapon when moistened, I think Adams could have done the same with other random items that were in this book. 

(Semiautomatic AND an effective weapon?  No.)

After reading this book, I had a variety of thoughts flying around my brain.  The first thing is that I discovered that Arthur did not contain the matrix necessary to decipher the answer to the Universe and Everything in between (42).  An important thing I also realized was that the real Universe is located in one’s own mind (as evident by the seemingly bat-crazy Ruler of the Universe).  I slept on it a little while and I realized that out of all the characters in the series, he was the only one content with his life.  All he had was his cat “The Lord”, his shack, and the constantly raining micro-planet he inhabited.  He didn’t constantly search for something like any of the other characters.  All he did was feed his cat old leftover fish and figure out that you can use a pencil and paper together to write unlike the other characters who constantly searched for a higher power, a restaurant, or tea.   

(He's pretty much this guy.)

As for recommending this book to my friends, I think it would really depend on the type of person; somebody who understands satire, irony, and sarcasm in a written form.  They should also be able to handle being insulted by the very book they’re reading (which is rare and very subtle).  Thus, I would ask a person that I knew shared humor similar to mine and I would not even dream of presenting it to someone who didn’t get complicated jokes (British humor).  I’m pretty sure most of the stuff they talk about would fly over an ordinary persons head even though they don’t even exist.  I found plenty of made up jargon that would turn off the average low attention span yobo that schools tend to have so I also don’t think it should be prime reading material in most classes.  I think it should serve a more recreational purpose though that doesn’t mean that it couldn’t be used in class.  It could be used for a variety of purposes such as a reinforcement for lessons in satire (which this novel; nay, the entire series is brimming over the edge with).  Excerpts can be taken out and studied, analyzed, and overanalyzed so that the full meaning of the passage can be taken in full and the guys sitting in the back can finally whip their heads back, laugh in an obnoxious manner, and say “I get it!”.  

Aloha Showcase 2011

I really liked this performances, er... series of performances.  All these different groups coming together to form a densely packed show; some of them good, some kind of corny and hard on the ears,  most were spectacular to the point that it put a smile on my face - rare for me in a play.  I saw plays, dance numbers, singing, and slam poetry, all which did exactly what the performance promised to deliver, a showcase that peacocked the multi talented students in the performing arts at Kaimuki.  Instead of spouting the praises I would normally do so for regular performances, I'm just going to condense it into a list in the style of the hand out I received at the auditorium in the order that I saw them.  

"The Club is Alive"

Music & Lyrics by JLS

- KHS Creative Dance Class 

This was done at the Aloha Assembly and when it first started with it's red/black contrasting backdrop, with the shadow of the dancers and the crimson of the backstage, everybody cheered.  That was exactly how I felt about it.  

"You Can't Always Get What You Want"

Music & Lyrics by Mick Jagger & Keith Richards

-KHS Vocalz

Not much to say.  I liked the message though there was this one grating voice in the back.  I forgot his name.  

"To Sympathy and Devils Alike"

-Slam Poetry: Samson Tafolo

*I loved this peformance.  In all honesty, I loved all the slam poets performances.  They were sharp, biting, witty, funny, satirical, and overall, just really great stuff.  It's too bad I can't look it up on youtube being that it's an original work.  

"K School"

Music by Shinee, f(x), 2NEI

- Choreographed and Danced by Stacy Swinehart, Vivica Nguyen, Tiana Kono

It's the same group from the talent show but completely different routine.  There was no singing involved which I appreciate as the former talent show performance was a little lacking thanks it's inclusion.  This one was a different story.  It had dancing in three parts; each member with her own unique song and dance number.  They come together at the end and though there's this one part which to me makes almost no sense choreographically (They do the same move for a good 13 seconds) they were in sync.  That's what counts.  B (Since I take off a full grade for coming from a hyper conservative Asian family.  My god.  Their outfits and the way they were dancing...). 

"Vahine Ori Opu"

Choreographed and Danced by Naomi Baldomero

It's Pacific Islander dancing. I know almost nothing about it.  My mom had a lot to say and she said this "She danced like a pro."  

"Favorite DJ"

Music & Lyrics by Auburn & Clinton Sparks

Choreographed & Danced by Ricardo Martinez

Thought it was going to be lame at first.  Dead wrong.  Modern Dancing

"The Fear"

Written by Jasmine Yamamoto

Directed by Jasmine Yamamoto & Rikki Jo Hickey

- Advanced Acting Class

A short play about a 21 year old "boy" (a homeschooled brat) coming to terms with the fact that he's not as mature as he thinks he is by having an adventure with his shadow.  It's sweet.  

"Forget You"

Music by Cee Lo Green

- Vocalz

Forgettable if it wasn't for the performers.  They really added something into it.  

"Lost in the Wilderness"

Music & Lyrics by Stephen Schwartz

- Robert Piamon

This was my least favorite. Grating. 

"So Close"

Music & Lyrics by John McLaughlin

- Samuel Tafolo 

Danced by Natasha Fehn & Victor DeMarco

I didn't like the song but I liked the way it was sung.  The waltzing couple on the side was a nice touch.  

----Intermission---- (Pretty early for an intermission.  It wasn't even halfway I believe.)

"Rolling in the Deep"

ML by Adele Adkins

- Vocalz

Same as other Vocalz performances.  Nothing really stuck out aside from the two guitar, piano, and tambourine accompaniment.  

"And I Will Follow"

ML by Jason Robert Brown

-Taylor Silva & Robert Piamon

Silva : great voice. 

"Brothers"

Written & Performed by Samson Tafolo and Henry Kaholi III

*.  My feelings for this performance are the same as the other one by Samson.  It's intelligently written, cleverly acted out, and it's just really funny.  The audience was roaring.  

"Purotu No Te Hura"

C & D by Naomi Baldomero

Another dance by Naomi.  This time my mom said "She really looks like she should be a part of those professional hula groups".  

"Little Class of Bashaw's"

Music by Alan Menken & Howard Ashman

Directed by Samuel Tafolo & Kia Kekoa

It's a parody of Little Shop of Horrors and those familliar with Samuels performance with the aforementioned play should love this one.  This time it centers around the very real teacher at Kaimuki and the not very real way she treats her students.  It's funny.  

"Fly Away"

Music & Lyrics by S. Alan & Stephanie J. Block

- Kyla Anderson, Alaura Ward, & Alexandra Lanning.  

Two words.  Kyla Anderson.  

"Smash Into You"

Music & Lyrics by T. Harrel, Beyonce Knowles, T. Nash, C. Stewart

- Dwayne Sakaguchi

What can I say?  It won an award.  

"Imagination"

Music by Chris Brown & Michael Jackson (Billie Jean)

- Poasa Aga and Rodney Phung

Known around school for being incredibly talented at dancing, they've joined forces and songs modern and old to make an enjoyable piece.  The red light show at the beginning was really spot on.  

"I Wanna Dance With Somebody"

Music & Lyrics by G. Merrill & S. Rubicon (Whitney Houston)

- Anette Aga

Anette makes her triumphant return in a song that delivers.  It was a load of fun especially with the cast members from other performances pitching in to dance.  The audience roared and thundered.  

"Who Are You"

Written by CK2

- Candice Kiyabu & Chelsey Koma

I think it's a comedy.  I'm not really sure.  It's just weird.  A girl waits a bus stop for the bus to show up (It doesn't) while having to deal with a green guy that constantly steals and defaces public property.  He's also mute apparently.  

"The Language of Love"

ML by Cee Lo Green

- Creative Dance Class

I remember this from a pep rally I think.  I can't really remember but it's still a great dance routine.  Too bad a certain person wasn't in it.  (Diep... ಠ_ಠ)

"Wedding Dress"

ML by One Republic, Missy Elliot, Fatman Scoop, Ciara, Taeyang, Kevin Lien

- Ricardo Martinez

Ricardo dances yet again though this time with a lot more songs while wearing a white mask.  It's incredible the way he can incorporate so many different styles into his performance. And it fits the music. 

"Candles"

Music by The Warblers

-Royce R. Okazaki

Some kind of flag waving skit.  It's really interesting to look at it.  Flag changes, throws, tosses, and recoveries.  It's different but good. 

"Once On This Island" Medley

ML by S. Flaherty & L. Ahrens

Choreographed by Samuel Tafolo

-Vocalz

The finale was quite good.  I think they tried to go for a slow decline in action with most of the kickers in the middle to 3/4 of the entire thing.  If so, then I think this was a great "We're at the end of the show so let's say a happy good bye" kind of thing.